Gabrielle Moser Writing, Curating, Photography
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Enter your email address to follow this blog and receive notifications of new posts by email. I am headed to Montréal this weekend for an event with the phenomenal Ashon Crawley entitled.
A compendium of ongoing projects, half-realised ideas and commentary on art happenings in Canada and beyond. Monday, May 3, 2010. Monday, April 19, 2010. The Monkey and the Mermaid. Dance and choreography seemed to e.
Thursday, 15 February 2018. A residency project coordinated by DAM Projects, this salon will be facilitated by Seecum Cheung, Amanprit Sandhu and cheyanne turions.
Feeling Photography, edited collection. Affecting Photographies, edited journal issue. Circulation, edited journal issue.
Posted by Andrea on Apr 26, 2015.
Not Knowing and No Looking. For the past few months, and the always excellent Gabrielle Moser. Curator in residence at TPW, invited me to write a critical response to the series.
Both the panel discussion and the fascinating keynote presentation by Rebecca Duclos are included.
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This site gabriellemoser.com had the following on the site, "Citizen Subjects photography, race and belonging in Canada." Our analyzers noticed that the website said " When Canadas first citizenship laws came into effect in 1947, photography had already been representing this mode of belonging in the country for more than 50 years." The Website also stated " Citizen Subjects photography, race and belonging in Canada explores this unique context that allowed. Classroom on Spectatorship, race and citizenship. EMILIA AMALIA at the Art Gallery of Ontario and the Toronto Art Book Fair."MORE DOMAINS
Has written for The New Yorker, Slate, GQ. com, The Hairpin, The Toast, the New York Daily News, Bitch, and other places. She has hung around a church made of ice, spent the night in a haunted hotel, worn a robotic exoskeleton, and accidentally scalded her vagina in the name of journalism, and she hopes you appreciate her many sacrifices. Order My Book, GLOP! .
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